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Rate this post 50% off on all Art at Creative Gallery Online: Decorate your home with beautiful wall paintings with us, visit our website, select your favorite product and get…

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50% off on all Art at Creative Gallery
Online: Decorate your home with beautiful wall paintings with us, visit our website, select your favorite product and get up to 50% off on all art use code: fiftynow at checkout. (Sep-26-2019)


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creative workshop and contemporary art gallery based in Singapore that specialises in artistic experimentation in the medium of print and paper. To date, STPI has collaborated with over 90 artists from all over the world. Situated in a restored 19th century warehouse by the Singapore River at Robertson Quay, the 4,000-square metre facility houses specialised printmaking presses and equipment, a paper mill, 400-square metre gallery, guest workshop, artist studio, artist apartments, staff offices and The Corner Shop. STPI sits alongside National Gallery Singapore and the Singapore Art Museum as part of the national Visual Arts Cluster of leading institutions in the region. STPI is also a member of the Art Galleries Association of Singapore (AGAS), a non-profit organisation that represents the interests of gallery owners and operators in Singapore. STPI is a not-for-profit organisation established with the support of the Ministry of Information, Communication and the Arts (presently known as the Ministry of Culture, Community and Youth – MCCY), Singapore Tourism Board, and Singapore Totalisator Board, in line with the government’s Renaissance City Plan to position the nation as the prime arts hub of Southeast Asia. The concept of establishing a large print workshop and paper mill in Singapore was first proposed in the mid-1990s to Kenneth E. Tyler, a long-standing American innovator, printer and publisher of fine art prints. In April 2002, STPI was officially opened by Singapore’s Deputy Prime Minister and Minister for Defence at the time, Dr. Tony Tan.Welcomed as an opportunity with long-term benefits that would add to the growth of the nation’s reputation as a City for the Arts, Singapore was seen as the ideal place for facilitating the amalgamation of Eastern and Western printmaking techniques, papermaking methods and various artistic practices.

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